Bachelor of Music (Hons) Degree
Graduate Diploma in Music Performance
Young Artist Programme
Student Exchange Programmes
Joint Degree Programme
Bachelor of Music (Hons) Degree
The Conservatory's Bachelor of Music (Honours) degree is a four-year, full-time programme focusing on performance, composition and recording arts with appropriate supporting academic studies. The programme is modular-based with the degree comprising the following principal elements:
Major Study
Academic Classes in Music
University Modules
Electives
The programme is designed to prepare performing and creative musical artists for a diverse range of relevant graduate or professional opportunities, both in the Asia-Pacific region and around the world. The programme aims to help students achieve musical excellence in their specialisation by developing their self-awareness, intuition, imagination and capacity for effective communication. Currently, the major studies offered at the Yong Siew Toh Conservatory of Music include the following:
Violin, Viola, Cello, Double Bass,
Flute, Oboe, Clarinet, Bassoon,
Horn, Trumpet, Trombone, Tuba,
Percussion, Harp, Piano,
Voice, Composition,
Recording Arts & Science
The Major Study
Comprising slightly more than half of the degree requirements, the Major Study is taught through a combination of one-to-one lessons and studio classes, augmented by ensemble or class activities tailored to the needs of the specific instrumental discipline. Technical skills and competencies are expected at the appropriate levels and an individual performance will be required during the second semester of every academic year. For composition students, lessons are designed for studies on composition techniques relating to notation, rhythm, harmony, form, melodic lines, exploration in texture and timbre. These studies expose students to a broad range of contemporary composition techniques as well as historical stylistic practices. An additional component of the major study relates to Professional Development, ensuring that students are equipped with the requisite skills, values and attitudes necessary to establish themselves in the
professional world.
The Conservatory Orchestra and the Conservatory New Music Ensemble are the Conservatory’s two principal large ensembles. Participation in orchestra provides comprehensive orchestral training and performance experience, exposing students to a wide range of musical compositions. Each season, the Conservatory Orchestra performs a minimum of four public concerts, with programmes including a cross-section of standard orchestral repertoire and contemporary orchestral literature. The orchestra has rehearsed and performed with notable guest conductors such as Lan Shui, Claus Peter Flor, Christopher Adey, Barry Tuckwell, Yip Wing-Sie, Leon Fleisher and Alan Gilbert. The New Music Ensemble focuses on works written during the last 40 years. Each season, the ensemble performs a minimum of two concerts, with a repertoire that includes iconic works of international significance, new works by international and Singaporean-based composers, as well as first performances of pieces by student composers. Seating arrangements in large ensembles are rotated as much as possible so that students learn to take on different roles in ensemble performance. The T’ang Quartet, the Conservatory’s Quartet-in-Residence, and other members of the artist faculty provide coaching to the Chamber Music programme. The various ensembles have opportunities to perform in chamber music concerts and masterclasses by visiting artists throughout each semester.
Academic Classes in Music
Approximately a quarter of the degree requirements are focused on core academic music modules (Musical Concepts & Materials, Communicating About Music, Music History and Professional Development). These subjects align closely with the individual student’s performance or compositional ambitions by ensuring that the student has a solid skills base as a musician, as well as an appropriate level of stylistic and contextual awareness from which to draw upon in making their creative and/or interpretative decisions.
1. Musical Concepts and Materials (four modules across the first two years) develops the student’s musical awareness by introducing key musical concepts and examining the materials underpinning musical creation. Works from a variety of genres and time periods are examined. The aim is to develop the students’ capacity to create meaningful musical realisations by addressing broad musical concepts along with specific theoretical concepts, and developing important musicianship and technological skills. A series of computer learning and assessment components cover basic skills in aural awareness and musical rudiments. These skills are utilised and further developed in class meetings and assignments as tools for exploring key musical concepts.
2. Communicating about Music (two first-year modules) aims to develop a student’s expressive and critical capacities in relation to music through oral and written discussionson a range of stylistically-diverse repertoire.
3. Music History (two compulsory second-year modules) focuses on music and its context. The first module offers a study of central figures, genres, representative works and stylistic developments in music before 1830, with an emphasis on music of the Baroque and Classical eras. The second module explores works from 1830 to the present in terms of the socio-cultural
circumstances from which they emerged.
4. The Professional Development component includes interactive seminars with tutors which support students engaging with projects in external community settings (i.e. local primary schools), presenting performances of established repertoire, and of new material (either newly created or specially arranged) developed through group interactions. Augmenting these activities, visiting professionals in health and well-being, public presentation, or other music genres offer one-off presentations and lectures.
University Modules
The National University of Singapore values the concept of a well-rounded education. As such, students are expected to undertake some general education modules. A set of Liberal Arts/Humanities subjects (Critical Thinking, Art and Identity, Patrons of the Arts, Technology and Artistic Innovation and The Art of Rituals and Recreation) are specially tailored for Conservatory students. Alternatively, students can choose from a wide range of modules offered across the University which also meet this requirement.
Electives
Beyond the core requirements of the programme, students can choose from a considerable range of electives depending on their enthusiasm, strengths or future plans. Students are advised to undertake electives predominantly in the final two years as their potential future pathways become more defined. Those expecting to go forward for graduate study are strongly encouraged to take at least 4 further academic music subjects. Students can also arrange their programme in such a way that their final year is quite strongly performance-oriented. Some of the elective options are also available to other NUS students, enabling Conservatory students to interact with the broader University community. The range of elective possibilities also includes a vast range of University cross-faculty module options. Should students wish, the opportunity exists to develop a minor (or perhaps even a major) in another area of expertise offered by the University.
Academic Music Electives include:
Introduction to Orchestration
Compositional Approaches since WWII
Intermediate Keyboard Studies
Advanced Keyboard Studies
Critical Score Reading
Introduction to Schenkerian Analysis
Late Beethoven Style
The Evolution of Orchestra
Introduction to Musicology
The History of Opera
Medieval and Renaissance Music
Chamber Music since 1740
Applied Studies Electives include:
Materials of Jazz Music
Business for Musicians
Chamber Singers
Introduction to Pedagogy
Sonic Environments
Architectural Acoustics and Acoustical Measurement
Improvisational Styles and Techniques: An Exposition
Advanced Music Notation and Engraving
By the completion of their studies, all students are expected:
• to have developed a demonstrable capacity in relation to their major study, appropriate for them to be able to pursue professional opportunity or further study at graduate level;
• to have studied and, where relevant, to have performed representative material from a range of styles in relation to their major study;
• to be able to interact musically in group and ensemble contexts, varied in range and style;
• to have acquired appropriate physical and psychological awareness to embed good professional habits relevant in both public and private contexts;
• to be able to work independently in gathering, analyzing and interpreting information and to have acquired effective study, practice and rehearsal techniques for further self-development and self-management;
• to be fluent in recognizing, understanding, memorizing, manipulating, communicating, and applying a range of musical materials, concepts and structures;
• to be able to speak and write intelligently about their music-making, developing ideas and arguments critically while drawing where relevant on appropriate historical and stylistic awareness;
• to understand fundamental patterns and processes of music-making, enabling them to shape and create music in ways which go beyond the notated score;
• to be familiar with the basic concepts and practices of pedagogy, especially as they relate to music and in particular to their major study;
• to have a broad understanding of how technology serves the field of music as a whole and to be aware of the technological developments applicable to their area of specialization;
• to have some knowledge of the business and legal aspects of the music profession;
• to have effective communication, negotiation, organization and social skills employable in a range of socio-cultural contexts, including the ability to work with others on joint projects or activities;
• to have reflected critically on their strengths as musicians and to have begun to identify relevant professional pathways.
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Graduate Diploma in Music Performance
The Graduate Diploma in Music Performance is a two-year, full-time programme of study designed to provide specialised training for accomplished graduate-level instrumental performers who wish to pursue more performance-intensive goals.
The programme comprises of the following components in curriculum:
Applied Studies
Large Ensemble
(or equivalent for piano majors)
Chamber Ensemble
Recitals
The Graduate Diploma in Music Performance programme includes 1 hour per week of private lessons in Applied Major Study. Students who major in orchestral instruments must participate in Large Ensemble and a chamber ensemble during each semester of enrolment. Students are required to perform one major recital per year comprising 60 to 70 minutes of music.
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Young Artist Programme
The Conservatory currently runs a Young Artist Programme for teenagers who demonstrate outstanding performance abilities during the auditions for admission
to the Bachelor of Music Degree programme, but were not offered admission based on the academic requirements of the National University of Singapore. These students are expected to be enrolled in Singapore schools and are normally aged 15 to 17.
The programme is conducted by Conservatory faculty members and provides professional training in musical performance with supporting academic study. Students receive 1 hour per week of private lessons in their applied study, 2 hours per week of studio class, and have opportunities to participate in masterclasses, concerts, chamber music and orchestral sessions as agreed with the studio teacher and relevant module director.
The academic component of the course includes weekly two-hour classes over four semesters, designed to foster musical understanding and appreciation from a range of different perspectives. The programme provides a place to groom these young students up till the point when they become eligible for enrolment, so the course duration is from the time they enter the programme until they transfer to the undergraduate programme.
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Student Exchange Programmes
As part of the collaboration with The Peabody Institute of the Johns Hopkins University, students from Peabody Institute have the opportunity to spend one academic semester undertaking equivalent studies at the Yong Siew Toh Conservatory of Music as an exchange student. Similarly, students enrolled in the Bachelor of Music Degree programme at the Yong Siew Toh Conservatory can apply to study at the Peabody Institute for one semester during their third year, with substantial financial support from the Conservatory.
The Conservatory also has an exchange agreement with the Lausanne Conservatoire, enabling students to undertake a semester’s exchange in Switzerland.
Students from other music conservatories may also apply to study at the Conservatory for a semester as exchange students. Arrangements will be made for successful candidates on a case-by-case basis.
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Joint Degree Programme
In conjunction with The Peabody Conservatory in Baltimore, Maryland, USA, the Yong Siew Toh Conservatory of Music offers a Joint Bachelor of Music Degree for a small number of selected students at both institutions. Of the 8 semesters in the B.Mus, Conservatory students spend 5 semesters at the Yong Siew Toh Conservatory and 3 semesters at Peabody. Applicants are required to have a combined CAP score of at least 4.1 at the end of their first year of study. In addition, students must demonstrate excellent English language skills as well as obtain the recommendation of their major study teacher. Incoming first-year students who are interested in the Joint-Degree programme should contact the Conservatory Academic Affairs Office as soon as possible during their first year of study at the Conservatory.
Students selected for the Joint Degree Programme will spend five semesters in their home institution and three semesters in the host institution. The structure of the programme is as follows:
• Students will follow the standard requirements for their home institution during their first year of enrolment.
• Normally, students will then undertake study at the host institution in Semester 1 of their second year of study, and return to the home institution for Semester 2 of their second year.
• Students will then return to the host institution for their entire third year of study (both Semesters 1 and 2), and complete their study with the entire fourth year at the home institution. This format provides the opportunity for students to explore the joint-degree option in their second year of enrolment to evaluate the value-added benefits of overseas study.
• If at the end of Semester 1 of their second-year student decide that they do not wish to continue in the joint degree programme, they will have the to return to the
traditional programme of study at their home institution, with the “semester away” credited as an exchange semester.
Candidates will follow the rules and regulations of both the host and home institutions relating to student conduct during their periods of candidature at each location, unless the Joint Degree Committee has granted prior approval of alternative arrangements.
Students who complete the joint B.Mus degree successfully will be awarded a Joint Degree: Bachelor of Music. Students will have their degree conferred jointly by the home and host institutions, but will have their degree presented in the home institution.
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